The houses are reflections of the personality and the cities, groups of houses lined along the streets and avenues, or arranged around the squares, represent the universe.
The roofs and balconies are the head and mind; the windows, the eyes and the doors the mouths which serve for speaking and kissing.
The streets, if steep, valid in equal measure for ascending or descending, but the predisposition of each individual from one angle or another always leads to ascending or descending interpretations of the spirit. And when the sun shines fully on the façades, the tiles have the red energy of blood, the shutters are wide open and few blinds are down. In the majority of Perevalsky’s paintings, the first sensation is that the painter transmits a message of solidarity and optimism, a positive affirmation that, as men and women, we have to journey together in the conquest of collective, so as to obtain individual happiness.